architect, credited with introducing a new style of painting to the world, says the emotions portrayed in his vibrant artwork come from the feelings in his heart that originated from the works of such Persian poets as Rumi, Hafez and Ferdowsi.
Iranian-American artist Kamran Khavarani is credited with introducing Abstract Romanticism to the world of art. “Abstract means, no face, no story and no connection with anything. Romanticism is about telling stories, it’s about face, it’s about narration,” Khavarani told the Iran Times.
“The meaning of Abstract Romanticism is the face of the faceless, untraveled road or untold story. My paintings are telling a story, but not a defined story; so you find your own story and your own way in the painting. You find your own way, in this way. You find your place in this place. That’s the meaning of Abstract Romanticism: coexisting of the opposites.”
Khavarani explained how his unique style came to be called Abstract Romanticism in 2003. “People were constantly asking me what my art style was called, and I had no idea what the answer was. Professor Albert Boime of UCLA, who has since passed away, and an Iranian-American art historian, Roshan Hubbard, recognized the style and defined the name Abstract Romanticism for my art, and set out to introduce me and my work to the world.”
When Boime visited Khavarani’s gallery to examine his work for the first time, the Iranian-born artist explained that his work was inspired by classical Persian poets. As such, Khavarani doesn’t take full credit for his artistic masterpieces, which involve a range of vibrant reds and oranges, greens and blues.
Khavarani told the Iran Times the messages and stories that are the basis for his paintings come from the poems of 13th and 14th century Persian poets Rumi and Hafez. “I studied their poems and the messages and meanings are complied in my heart. When I paint, I don’t have any specific ideas in my mind, it is just those feelings of joy manifesting themselves in my art.”
One year after meeting with Khavarani, Boime decided to introduce the artist and his new style of painting to the world by writing a book entitled, “The Birth of Abstract Romanticism: Art for a New Humanity, Rumi and the Paintings of Kamran Khavarani.”
In the book, Boime explored the effects of Khavarani’s style: “Khavarani visually expresses his inner response to Rumi, evoking the oceanic and cosmic metaphors of the Persian mystic.… Assigning to each of the four elements (earth, air, fire and water) its own unique color register, he gives his primordial visions—most evident in his glowing ‘Creation’ (2003)—a riveting presence. His skies and seas are saturated in unprecedented, emotional blue-greens, purples and oranges, and his mountain forms are often surrounded by a web of shadowy halos that convey a misty sensory impression of a world still in formation.”
Born in Tehran in 1941, Khavarani began painting on the walls of his home as a three-year-old. His passion for art intensified as he grew older, and at the age of 12, he began studying classical painting with the Iranian artist Reza Samimi. From there, Khavarani told the Iran Times, he continued painting on his own.
Khavarani’s earlier paintings were influenced by his classical training, but he said his recent encounter with the philosophy of Rumi and other Persian philosophers and poets has transformed both him and his artwork.
Khavarani later went on to receive his master’s degree in architecture and his Ph.D. in urban design from Tehran University in 1966. Khavarani immigrated to the United States in 1981, and completed his graduate work under the guidance of his mentor, Hooshang Seyhoon, an internationally renowned Iranian authority in art and architecture.
Khavarani’s art ranges from colorful, Monet style impressionist landscapes to lifelike black-and-white portraits; he has drawn the portraits of many Iranian notables including Abolghassem Ghaffari, Fazlollah Reza, Houshang Seyhoun, Ehsan Yarshater and many more.
Khavarani’s art extends to architectural work. Currently living in Los Angeles, Khavarani has won numerous architectural awards in the 45 years that he has been working as an architect, including the California Building Official’s highest award of excellence for a single-family residence, and the design award for the city of Beverly Hills in a commercial category.
Khavarani also uses non-traditional tools for his paintings; he paints with his hands encased in elastic gloves and occasionally uses a mango seed. “It takes one day [for me to start and finish a painting]. I only paint when I am in a state of joy and happiness. Sometimes it takes a long time to get there, and, when I am in that state, I will paint until I fall down. So in one session, I could finish one painting. Rarely do I go back to a painting.”
The late Professor Boime, a big fan of the artist’s work, wrote, “Khavarani resurrects the romantic possibility that art can change the world by reaching out unstintingly to the heart and imagination of the individual spectator…. It remains to be seen how the fallout from Khavarani’s painting will influence the history of art.”
More information on Khavarani, and pictures from his collection, are viewable at: http://www.khavarani.com/